Member for

5 years 7 months
Photo
Cover Photo
bergamot blooms in a summer field
First Name
Deborah
Last Name
Haak-Frost
Biography

If you make a reservation for a retreat at GilChrist, you will most likely see my name on the email signature, talk with me on the phone, or see my face when you arrive. I’ve always delighted in being able to connect people with the natural world in ways that allow them to experience their environment deeply and meaningfully. My undergraduate degree in psychology and environmental studies paved the way for this beautiful integration of two passions of mine. The principles of permaculture – earth care, people care, and fair share – also shape my approach to my work. Making rest and retreat more accessible for all is something I try to work toward.

I also do a lot of the behind-the-scenes logistics and administrative work at GilChrist: working with group retreat facilitators, handling billing, managing social media, keeping the website up to date, cataloging the library, and also pitching in with cabin cleaning and feeding the goats.

When I’m not at work, you can find me volunteering in my Three Rivers community, cooking and baking in my kitchen, taking in thought-provoking television and movies with my husband, or daydreaming about grand garden plans for my backyard.

Job Title
Caretaker for Community Engagement
Cover Caption
Bergamot blooms in this summer view from the GilChrist office
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Staff Department
Department or Org
GilChrist
Email
dhaak@fetzer.org

Thanks to Suzanne Frank, a guest of GilChrist Retreat Center, who wrote to us, "I wanted to share this recent publication of my travel writing that appears in www.nowheremag.com. The peace and tranquility of your center contributed greatly to this and a manuscript I’m completing." Find more information about the celebration of the 25th anniversary of GilChrist here.

Read on for one of Suzanne's poems, and click here to enjoy the rest of her writing.

In Kota Kinabalu

It is raining on the red hens, crates
of puppies, stacks of salted flat-eyed

fish. It spatters boiling pots of fat,
drowns scratchy boom-box music,

the slap of sandals on cement when
the old vendor hooks my elbow,

pulls me to a tarp mounded with spiny
rambutan and does her trick with a twist

of a bony wrist, parts the rind, reveals
the oval fruit, white like boiled egg

in a painted cup, passes it without
looking up, sure I will buy from her

now that I have seen the magic, now
that the roundness fills my mouth,

now that her yellow nails pick through
rupiah in my palm. I am alone in this

market, lost in this counting of coins,
the rambutan, rain that falls between us.

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